Max Erhman Eon75 of Florida

Max Erhman, Eon75, was a contestant in our 2008 Estria Invitational Graffiti Battle in Oakland. Since then I have had the honor of painting with him a few times, and hope to continue doing so. (I only painted with him to steal all his techniques.) Kidding aside, Max is a talented painter with great techniques and hardcore motivation. He has painted several personal commissions for James Prigoff, of Spray Can Art fame. Best of luck to ya, Max!

Check out Max's artwork in our EIGB-MTN art show at 1:AM SF Gallery.

Opening reception Friday, 9/11, 7-10pm.
Show runs until October 9.

1:AM SF Gallery
1000 Howard St., San Francisco, CA 94127
www.1amsf.com
www.twitter.com/1AM_SF
(415) 861-5089

Follow twitter.com/estria for the latest updates on all the graffiti events.

Check out Max's website for more of his work. www.maxehrman.carbonmade.com

eon75_redgreen

eon75_maroonblue

Max Erhman with Chor Boogie:
eon75chor_boogie

Max Ehrman was first slapped in the face by this obsessive art form called aerosol art in 1995. One day two international graffiti artists painted a wall and their concept and technique sparked a fire in Max. The next day he bought a few cans of paint, went to the wall, and has not stopped painting ever since.

eon75_eye

Max currently goes by Eon75. Eon meaning Extermination of Normality and the 75 denoting the year that he was born. This name has taken him to over 10 countries and 3 continents. He has painted large-scale productions and traveled with the Meeting of Styles throughout Europe (www.meetingofstyles.com). Eon75 has exhibited in galleries from Berlin, Amsterdam and Barcelona to Florida, NYC and San Francisco.

eon75_candystripe

Max holds a Masters of Architecture from the Bauhaus (Dessau institute of Architecture) in Dessau, Germany. The rigid constraints of architecture developed his eye for detail. Having grown up on the beach in Florida, nature is an underlying element in all of his work. The elements of the ocean and plant life can be found in his paintings. Consequently, there is always a repetition of 3 in every painting. This is used to balance out the image and connect with nature. Leaves and shells are always structured in odd numbers…3's, 5's etc. This pattern can also be found in Eon75's artwork.

eon75_yard

Gallery installation by Max:
eon75_gallery1

A recent interview of Max on Cannedgoods
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